what Frank is listening to #200 – WALL OF VOODOO – Happy Planet – (IRS) – 1987
Of course I love "Wall of Voodoo" ("WOV"), well the Stan Ridgway era. In fact everything I have heard by Stan Ridgway thus far (Wall of Voodoo, solo and Drywall) has been worth hearing. His output is not substantial but consistent …
I saw him live in Brisbane at UQ in 1987 (with Gone to China and John Kennedy's Love Gone Wrong) …I think there was about 150 people there if you were lucky.
But I digress.
This is Andy Prieboy era "Wall of Voodoo" and apart from the singles I'm largely unfamiliar with this era of WOV.
I should say that as a tender youth in the 80s I was under the belief that anything that came out on the IRS label was worth listening to. As it turns out not everything was worth listening to but generally there is a lot of interesting work on the label. (I was even more enamoured with "Slash" and "SST" records of the same era)
Wall of Voodoo had their roots in punk, though specifically "art punk" for want of a better description. I suppose the big difference between the Stan Ridgway and Andy Prieboy albums is the move away from "electronica goes west" to synth pop (though still quirky and occasionally jagged in the best California new wave mode). Ridgway era WOV also had songs that were better generally.
Does this mean Prieboy era WOV is bad? No, not at all. Ridgway set a high bench mark. The link between the WOV incarnations is clear and obvious which is not surprisingly as the rest of the band remained the same between the singers and also share co-writing credits. Prieboy though in his co-writes and solo credits injects his world view and takes the music to a different level. This incarnation of the band hit pay dirt with the magnificent "Far Side of Crazy" and that is not on this album but there are some surprises in here.
There is an eye on the pop market but unlike their dance and good times synth band contemporaries this Wall of Voodoo album is very much a product of a America of the 80s suffering under Reganomics, urban decay, recession, and general disillusion. Accordingly the music is dark, with strange synth tones, scratchy guitar, observational and detached lyrics and almost matter of fact spoken-word vocals. Even the cheery songs are reserved.
Tracks (best in italics)
- Do It Again – hmmm …superficially it seems like a pretty straight cover of the Beach Boys classic and not entirely successful to my ears at first. But it grows on me. There is a droning heart rate monitor synth setting the mood and best of all they have added something new to their cover version…here the original songs sunshine joy is replaced with cynicism, some irony and a post good times detachment. It's as if the natural beauty of California has been trampled by urban sprawl, freeways and pollution. I don't recollect hearing this single when it came out but it does sound a little like their version of "Ring of Fire" with Stan. (see "Others" below)
- Hollywood the Second Time – this sounds like someone that I cant put my finger on though it's a little like a cross between The Nails and late 70s Pink Floyd, perhaps. Still it's quite eerie
- Empty Room – the type of track you would hear in a US teen film from the 80s when the protagonist walks into a (Hollywood version of a) underground punk club. And at that level it works well. Really well.
- Chains of Luck – see below "Trivia" …numerous Brian Wilson references in here. Not too bad
- When the Lights Go Out – poppy and with a big sound reminiscent of "The Alarm". Still, despite that, it's not to bad.
- Country of Man – Not sure what this is about but its boppy and relatively un-synth as if they were channelling The Violent Femmes.
- Joanne– familiar WOV beats backdrop a song about "poor" Joanne ……"It moves too fast for Joanne" . Written by Prieboy it's not that dissimilar in mood from his "Tomorrow Wendy"
- Elvis Bought Dora a Cadillac – yet another song "about" Elvis. Of the hundreds of songs that use Elvis as a subject or name check him a large proportion of them aren't so much about him but about his role in popular culture and how he affected those who were enamoured by him. This song digs in the "We are humble people and Elvis is one of us" field. The songs are usually from the point of view of the marginalised, in this case a Hispanic lady (in LA ?) being evicted. Dora was a real person and the lyric are apparently based on her own words. The band also, on the inner, seek any information so they can contact Dora. I wonder if they did?
- Grass Is Greener – the song references a number of rock stars but I'm not really sure what it's about but it could be about a kid searching for rock 'n roll fame.
- Ain't My Day – Wall of Voodoo go folk country in this sad lament about a washed cowboy film extra in LA…he even met the Duke. Excellent
Cherokee sat on the same barstool
everyday 'til his wife dragged him back.
Drinking and talking about the old days,
"They don't make them anymore like that."
everyday 'til his wife dragged him back.
Drinking and talking about the old days,
"They don't make them anymore like that."
I did extra work in the movies for so long,
that starring role never came through…
Horse opera stories were my specialty,
I remember when I met the Duke.
that starring role never came through…
Horse opera stories were my specialty,
I remember when I met the Duke.
Oh- it ain't my day…
Oh- it ain't my day…
Oh- it ain't my day…
Now I'm sixty years old
and I sit by the phone,
Every night by the light of the soaps
I'll bet my last dollar
that Jock and his sons never once
Burned their hands on a rope…
and I sit by the phone,
Every night by the light of the soaps
I'll bet my last dollar
that Jock and his sons never once
Burned their hands on a rope…
Oh- it ain't my day…
Oh- it ain't my day…
Oh- it ain't my day…
And I'm trying to, dying to,
sit back and see my old face,
sit back and see my old face,
Oh- it ain't my day…
Oh- it ain't my day…
Oh- it ain't my day…
And…
On first listen I thought the album was only so-so (read my contemporaneously written notes above in the intro) but I kept getting interrupted and had to replay the album a number of times, and accordingly it has grown on me. Hey, this doesn't always happen on re-listens… you can't polish a turd. Despite some 80s excesses, which I didn't particularly like in the 80s, I'm keeping this.
And I have some other WOV .
And any record that name checks both Elvis and John Wayne isn't getting ditched……
Chart Action
US
England
no mainstream success
Interestingly the album reached #83 in Australia
Sounds
Do It Again
yes that's Brian Wilson in the video clip
and attached
Ain't My Day
attached
Others
Andy Prieboy era
Stan Ridgway era
Review
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Bio
Website
Trivia
- from wikipedia: The video to promote "Do It Again" features The Beach Boys leader / main song writer / bassist Brian Wilson as an orderly in a psychiatric hospital who falls asleep and wakes up to the members of Wall of Voodoo dressed as members of the Mafia.Brian Wilson, in real life, has been to psychiatric hospitals at least three times. The front sleeve of the single to "Do It Again" also features photos of the band with Wilson.Brian Wilson's fabulous career, rough life, and nervous breakdowns are referenced in the lyrics to "Chains of Luck". The lines "Brian Wilson chants his mantra,'Da doo ron ron, da doo ron ron', is a reference to Wilson's obsession with Phil Spector's productions, which is a Spector produced and co-written song titled Da Doo Ron Ron. Brian Wilson performed the song live at various benefit concerts in the 1980's. The Beach Boys also recorded a version of the song, albeit unreleased. "Chains Of Luck" also mentions "What'll we do with a drunken sailor, what'll we do with a drunk?" which is a reference to The Beach Boy's hit song "Sloop John B". And the lyrics "My body lying down in my bed, I need some real big hands, to ease this busted head" is a reference to Wilson becoming a drug-addicted recluse, weighing up to 340 lbs, and staying mostly in his bed for two years from 1973 until 1975, except when he needed to purchase drugs (speed, cocaine, and heroin) or partied with Three Dog Night singer Danny Hutton.
Other Comments
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(originally posted: 13/03/2011)