THE EVERLY BROTHERS – Beat & Soul – (Warner Brothers) – 1965

what Frank is listening to #83 – THE EVERLY BROTHERS – Beat & Soul – (Warner Brothers) – 1965

Back in "what Frank is listening to # 65" I said the following about the Everly's album "Rock 'n Soul":

I was quite excited about getting this even though it cost $5US – in a batch of records I bought from a guy in the US ( I also got the companion album "Beat 'n Soul"). Still the anal obsessive in me was happy as I have about 20 Everly Brothers albums ( most of their material) so I need to complete out (sic) the collection. You can get into trouble doing that though ( my Lou Reed and Dylan collecting are examples).
 
The influence of the Everly's cant be underestimated – their twin harmonies influenced the Beatles, Beach Boys, Hollies, Simon and Garfunkel etc. They also were not afraid to mix it up a bit and put some straight country on rock albums and vice versa and really pioneered ( in the mid to late 60s) what became known as "country rock" … about the same time if not before Gram added his magic touch to the same..
 
As biographies go … they had the usual problems of good ol southern boys (Kentuckians) … pills, broads etc.
 
The beauty however is in their voices and arrangements which by and large they orchestrated. Their early hits are well known and their voices fully soar in epic teen mini operas. By the mid 60s their hits had dried up in the US but they were still big stars in the UK. The beauty is though that their 60s albums, though of variable quality, were unpredictable – beat, roots country, rock, ballads – they really vacillated between albums, even though everything was centered and grounded on their harmonies. You can always tell a Everly Brother record.
 
All of that still applies.
 
Like "Rock 'Soul" most of the tracks on this album are "oldies", though here they are more recent "oldies" and not exclusively rock "oldies". It is a companion album in every way to "Beat 'n Soul", that is, the sessions were about six months apart, it was aimed for the English market and many of the same musicians played on both albums. I waxed lyrical in the earlier review over James Burton and his guitar and the same applies here (read the other review for the Burton rundown). The additional bonus on this LP is the magnificent Glen Campbell (see the Glen Campbell comment "what Frank is listening to # 76" ). If that's not enough we have Sonny Curtis (guitar also), Lawrence 'Larry' Knechtel (bass), Jim Gordon (drums), Billy Preston (keyboards), Leon Russell (keyboards), Al Casey (guitar), Lou Morell (guitar), Arthur Wright (guitar), Chuck Berghofer (bass), Lyle Ritz (bass) and Gene P. Estes (percussion/mallets). If you haven't heard of these guys google them and be prepared to wade trough lists of legends they have played with.
 
Also like the earlier album the sound is contemporary (1965) on this album and the brothers and the session guys really swing. The album probably holds together a little better than "Rock 'n Soul" and is definitely worthy. The Everly Brothers harmonies are the perfect tonic for early morning blues.
 
The tracks – the best in italics:
  • Love Is Strange – (Baker, Robinson, Smith) – originally a rock 'n' calypso hit for Mickey & Sylvia in 1957. The Everlys do a great mournful version, and  it was a #11 hit for the Everlys in Britain in late 1965.
  • Money – (Bradford, Gordy) – a magnificently muscular version of the track and to my ear better than the Beatles caterwauling version or the Stones version.
  • What Am I Living For? – (Harris, Jay) – the Chuck Willis hit. A nice slow bluesy lament.
  • Hi Heel Sneakers – (Higginbotham) – The well recorded Tommy Tucker song. Its been recorded by Carl Perkins, Elvis, Jerry Lee Lewis, Chuck Berry, Stevie Wonder, Paul McCartney, Sammy Davis Jr., Janis Joplin, Jose Feliciano,Buddy Guy & Junior Wells, Tom Jones, John Lee Hooker, Cleo Laine, Pharoah Sanders, Jerry Garcia and The Grateful Dead, Ramsey Lewis, The Searchers, Zsa Zsa Gabor, The Mummies, The Beatles, The Rolling Stones, The Faces, Sting and many more. Another respectable version – if there hadn't been so many other versions to compare this with you would think this a classic. Some great (I assume) Burton guitar on the this (It certainly sounds like him as opposed to Campbell).
  • C.C. Rider – (Rainey) – done by everyone (Jerry Lee Lewis, Charlie Rich, Janis Joplin, The Grateful Dead etc). Chuck Willis had the first hit with it in 1957 and later it became identified as the opening track to Elvis' show throughout the 70s. Here the Everly's do a respectable version with a lot of fuzz guitar .
  • Lonely Avenue – (Pomus) – written by the great Doc Pomus and recorded by Ray Charles in 1956.
  • Man With Money – (Everly, Everly) – a great track and the only original on this LP. The music is certainly cotemporary and the lyrics are well smart. The Everly Brothers wrote great songs but like many others of their generation seemed to be happy to also cover whatever "moved" them. "Man with Money" made a little splash in England  where it was covered by the obscure bands "The Eyes" and "The Wild Uncertainty". It was also cut by "The Who" in 1966, though that was unreleased until 1995.
  • People Get Ready – (Mayfield) – Hardly an oldie. Here they cover the Curtis Mayfield and the Impression master track … and what a great version it is … it's done as a gentle country wail.
  • My Babe (Dixon) – the Willie Dixon classic later done by everyone – Elvis Presley, Dale Hawkins, Chuck Berry, Bo Diddley, Narvel Felts, Sonny Burgess, Cliff Richard, Mickey Gilley, Ricky Nelson, Peter & Gordon, Gerry and the Pacemakers, Ronnie Milsap, Conway Twitty, Ramsey Lewis, Grant Green, Mississippi Fred McDowell, Coleman Hawkins, Gene Ammons, The Animals, the Steve Miller Band, Lou Rawls, Ike & Tina Turner, and many others.
  • Walking the Dog – (Thomas) – the Rufus Thomas hit from 1963 and covered by the Rolling Stones in 1964. Great guitar work.
  • I Almost Lost My Mind – (Hunter) – The Ivory Joe Hunter track (an Elvis writer) who had a hit with it as did Pat Boone. A sad lullaby about loss.
  • The Girl Can't Help It – (Troup) – The Little Richard hit written by Bobby Troup. The best of the rock songs on this LP. Captures some of the franticness of Little Richards definitive version … and again some great guitar work.
And …
 
I'm a keepin this
 
Sounds
 
Love is Strange
 
Money
attached
 
Man with Money
attached
 
People Get ready
 
The Girl cant Help It
 
Website
 
 
(originally posted: 05/09/2009)

About Franko

Hi, I'm just a person with a love of music, a lot of records and some spare time. My opinions are comments not reviews and are mine so don't be offended if I have slighted your favourite artist. I have listened to a lot of music and I don't pretend to be impartial. You can contact me on franklycollectible@gmail.com though I would rather you left a comment. I also sell music at http://www.franklycollectible.com Cheers
This entry was posted in Rockabilly and Rock n Roll and tagged . Bookmark the permalink.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.